Last few days in India. Tonight we take the Cheran night train to Chennai, where we’ll stay for one day. Then our plane back on Sunday, midday.
I was thinking about what to say here. It’s been seven years since I visited, and of course, as always and (hopefully) forever, there are a million and one things that make coming back surprising, exhilarating, strange. This last week in Coimbatore has been very relaxing, being able to read a lot, take walks, go out to eat. Really tones down the whole exoticism exploration/excavating wild brown men trip. A nice way to end the three weeks. Yesterday we spent half a day on the Nilgiris mountain (Blue Mountain; even the affectionate namesake of a Chennai-Coimbatore daytime express train) walking around the tea plantations, speaking to the once-atavistic (now wholly modern) tribal people that work them and run the tea and coffee industries. The Western Ghat mountain range is a beautiful, untamed place, and for the moment, magnificently well-preserved. For all that’s happening to the wilderness here. I read an article about scientists discovering nine new species of frog in the Ghats just last week.
The final stretch of road between Kochi and Coimbatore on our way back last weekend was a mountain pass through the Western Ghats. An awful road, almost undeserving of the designation as such: mostly just gravel, fallen boulders, tree stumps, and vehicles moving at 5 kilometers per hour. Ten at night in the middle of the forest on narrow crags with no light but the next car. Then the rain began to fall in blind, hard sheets. At one point, our driver pulled over to the right side of the road and took a 5 rupee coin out of his pocket; kissed it, threw it out of the window. “You can’t see it in the rain, but there’s an Ayyappaswamy shrine just past the trees. Drivers, Muslim, Christian, Hindu, whenever they’re on this road, pray to the deity for good luck. This is the only road from Palakkad (last town in Kerala) to Coimbatore (first town in Tamil Nadu). If a boulder rolls off a cliff or a tree falls across the road, we’re stuck on top of this cursed mountain for a week, at least. No way back. No place to stay. Happened to me once ten years ago.” Shut us all up in a sort of numb anxiety for a few hours. But we paid the toll, and so, we made it.
I’ve also been reading a lot of Arundhati Roy’s essays and interviews from books of hers that I picked up at a bookstore in Kochi. As anybody who has read her knows, she’s not at all a defender of India. In fact, she despises some things about the place like nobody else has cared to put to words.
She was asked in an interview to explain one of her metaphors for modern India. David Barsamian: “You use a metaphor of two convoys of trucks, one very large one with many people going off in the darkness, and another, much smaller, going into the digital promise land.” Roy: “Every night outside my house in New Delhi I pass this road gang of emaciated labourers digging a trench to lay fibre optic cables to speed up our digital revolution. They work by the light of candles. This is what is happening in India today… In Delhi, the city I live in, the cars are getting bigger and sleeker, the hotels are getting posher, the gates higher… Yet everywhere the poor are packed like lice into every crevice in the city. People don’t see that anymore. It’s as if you shine a light very brightly in one place, the darkness deepens around it. They don’t want to know what’s happening. The people who benefit from this situation can’t imagine that the world is not a better place.” Barsamian: “It’s part of that regular diet of contradictions that Indians live with. You made the decision to identify with, or be part of, that large convoy.” Roy: “I can’t be a part of the large convoy because it’s not a choice you can make. It’s a choice made by your circumstances. The fact that I’m an educated person means that I can’t be on the convoy. I’m too privileged. Besides, I don’t want to be on it. I don’t want to be a victim. I don’t want to disappear into the darkness.”
I took that page out from her compilation of interviews, The Shape of the Beast, only as a picture of the brutally honest visions of India the woman has. Which a lot of people have seen, like me, but are too afraid or aren’t capable of expressing it so well, like me. One year later, Roy went on a lecture tour in the Southwestern United States. David Barsamian, in 2002, asked her about this. Here, again, she makes appraisals that are entirely spot on, that I underlined, and that for me, capture just as well the essence of America.
Barsamian: “What do you think about the incredible standard of living that Americans enjoy, and the price that is exacted from the developing world to maintain that standard of living?” Roy: “It’s not that I haven’t been to America or to a western country before. But I haven’t lived here, and I can’t seem to get used to it. I haven’t got used to doors that open on their own when you stand in front of them, or looking at these supermarkets stuffed with goods. But when I’m here, I have to say that I don’t necessarily feel, ‘Oh, look how much they have and how little we have.’ Because I think Americans themselves pay such a terrible price.” Barsamian: “In what way?” Roy: “In terms of emotional emptiness… you suddenly get the feeling that here is a country with an economy that thrives on insecurity, on fear, on threats, on protecting what you have—your washing machines, your dishwashers, your vacuum cleaners—from the invasion of killer tomatoes or evil women in saris or whatever other kind of aliens. It’s a culture under siege. Every person who gets ahead gets ahead stepping on his brother, or sister, or mother, or friend. It’s such a sad, lonely, terrible price to pay for creature comforts. I think people here could be much happier if they could let their shoulders drop and say, ‘I don’t really need this. I don’t really have to get ahead’… There are so many happinesses that come from just loving and companionship and even losing…” Later: “When you live in the United States, with the roar of the free market, the roar of this huge military power, the roar of being at the heart of empire, it’s hard to hear the whispering of the rest of the world. And I think many US citizens want to. I don’t think all of them are necessarily co-conspirators in this concept of empire. And those who are not, need to listen to other stories in the world, other voices, other people.”
David then asks her what it is she admires about India. Roy: “I think the anarchy of Indian civil society is an important example in the world today, even though India has its back against the wall and is being bullied and bludgeoned by the WTO and the IMF and by our own corrupt politicians… In India we are fighting to retain a wilderness that we have. Whereas in the west, it’s gone. Every person that’s walking down the street is a walking bar code. You can tell where their clothes are from, how much they cost, which designer made which shoe, which shop you bought each item from. Everything is civilized and tagged and valued and numbered and put in its place. Whereas in India, the wilderness still exists—the unindoctrinated wilderness of the mind, full of untold secrets and wild imaginings. It’s threatened, but we’re fighting to retain it. We don’t have to re-conjure it. It’s there. It’s with us. It’s not got signposts all the way. There is that space that hasn’t been completely mapped and taken over and tagged and trademarked. I think that’s important. And it’s important that in India we understand that it’s there and we value it.”
Then, in a later question, when the interviewer overemphasizes her “deep affection” for the country: “I’m not a patriot. I’m not somebody who says, ‘I love India,’ and waves a flag around in my head. It’s my place. I’m used to it… It’s for that reason I cannot see myself living away from India. As a writer, it’s where I mess around. Every day I’m taken by surprise by something… I don’t know if I’m making myself clear. There is just a space for the unpredictable here, which is life as it should be. It’s not always that the unpredictable is wonderful—most of the time it isn’t. Most of the time it’s brutal and it’s terrible… I’m ripped apart here… But it’s the stuff of life.”
There it is. India has never been just a vacation for me. I feel both at home and immediately out of place among these people, walking through these streets. It’s never just-right. Always a permanent, inescapable in-betweenness. Both sides of the ocean. But that’s not so bad. It’s the stuff of life.